

I am a literary critic specializing in British Romanticism (ca. 1770-1840) across genres, with particular interests in persuasion and rhetoric, cognition, epistemology, and literary theory. What unites these interests is the question of literature’s role in representing and eliciting new ethical and political sensibilities—a question that often involves consideration of the period’s emergent scientific psychology and revolutionary social and political movements, and always involves attention to the distinctive work of literary language, genre, and form.
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I am an Associate Professor of English at the University of Notre Dame and have held research fellowships at the National Humanities Center (USA) and Chawton House (England), as well as doctoral and postdoctoral fellowships from the Social Sciences and Humanities Research Council of Canada (at the University of Cambridge and at York University respectively). Before pursuing graduate studies in English, I studied journalism and interned at Time, the Globe and Mail, Canadian Geographic, and the Networks of Centres of Excellence (a research-funding initiative of the Canadian government). As a research assistant to the Canadian Senator Joan Fraser (Lib.), I also worked on a Senate study of the Canadian news media.
Current projects include a book on the poetics of perspective in the nineteenth-century age of empire, the editorship of volume 5 (1800-1900) of a six-volume Cultural History of Rhetoric for Bloomsbury, and articles on Mary Wollstonecraft, William Hazlitt, Percy Shelley, and Mary Shelley. With Brian McGrath, I co-edit the Romantic Circles Praxis series of peer-reviewed critical volumes.
BOOKS

Cambridge University Press, August 2026
A study of how British Romantic writers fundamentally reconceived of the theory and practice of persuasion, treating it not merely as an emotional supplement to, or stand-in for, rational conviction, but as a uniquely flexible form of belief that allows for dissent, doubt, and changes of mind. Examining major and lesser-known works by George Campbell, Thomas De Quincey, William Hazlitt, Jane Austen, William Godwin, William Wordsworth, and Percy Shelley, the book makes a case for the Romantic reimagining of persuasion as an unacknowledged impetus for the period’s literature, a bridge between literature and rhetorical theory, and a resource for literary criticism and civic life today.
2014
A critical recovery of the 18th/19th-century democratic reformer and polymath John Thelwall that shows to what extent Romanticism’s belief in the imagination as an agent of social and cognitive change was bound up with the developing sciences of body and mind. Drawing on new archival discoveries, selections of which are reproduced in the appendix, the book connects the full range of Thelwall’s works—poetry, fiction, drama, criticism, oratory, political theory, speech therapy, and elocutionary treatises—with his heterodox contributions to Romantic science.

EDITED WORKS
2024
Oxford University Press
Edited with Stefan H. Uhlig
​Spanning multiple national contexts and disciplines, this volume explores how persuasion became a substantive focus for discussion in the eighteenth and nineteenth centuries as rhetoric lost authority to modern philosophical and scientific inquiry.
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Winner of the 2024 Jean-Pierre Barricelli Prize from the International Conference on Romanticism, for the year's best book in Romanticism studies
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Contributors: Maeve Adams, Ian Balfour, Mark Canuel, Frances Ferguson, Sean Franzel, Jake Fournier, Alessa Johns, Brian McGrath, Jan Mieszkowski, Emma Planinc, Daniel Stout, Ross Wilson, Sarah Zimmerman
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2018
Éditions Honoré Champion
Edited with Raphaël Ehrsam
Introduced by Guillaume Ansart and Catriona Seth
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The bilingual proceedings of the International Society for Eighteenth-Century Studies (ISECS) Early Career Seminar, addressing conceptions of liberty across European, Scandinavian, and American contexts, from the perspectives of literature, history, art history, philosophy, religious studies, and political theory.
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Contributors: Konstanze Baron, Scott Cleary, Alessandra Doria, Raphaël Ehrsam, Christoph Good, Asma Guezmir, Sonja Lawrenson, Jon-Kris Mason, Amir Minsky, Adrien Paschoud, Andrei Pop,
Tine Reeh, Yasmin Solomonescu, Cyril Triolaire
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2013
Broadview Press
Edited with Michael Scrivener and Judith Thompson.
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A modern edition of John Thelwall's lively 1801 fictional exploration of rights and revolution in Britain and Haiti, with contextual materials on the abolition and revolution debates.
![thelwall_small[1].jpg](https://static.wixstatic.com/media/1ee372_c6181792c9364c8bb9a3953d9cb48f2e~mv2.jpg/v1/fill/w_460,h_154,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/thelwall_small%5B1%5D.jpg)
2011
Romantic Circles Praxis Series
Critical reassessments of the eclectic career, prolific writings, and cultural afterlives of the Romantic-era reformer John Thelwall.
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Contributors: Molly Desjardins, Angela Esterhammer, Mary Fairclough, Patty O'Boyle, Steve Poole, Nicholas Roe, Emily Stanback
ARTICLES AND CHAPTERS
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“Keeping to Mary Shelley: The Last Man as Metafiction.” The Last Man at 200. Ed. Eileen Hunt. Bloomsbury. In progress.
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"Persuading without Convincing: Mary Wollstonecraft's French Revolution." Rhetorica, forthcoming.
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"Rhetoric." William Hazlitt in Context. Ed. Ian Balfour and Charles Mahoney. Cambridge University Press, forthcoming
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"Women, Rhetoric, and Rhetorical Theory." The Cambridge History of Rhetoric. Vol. 4: Seventeenth to Nineteenth Centuries (1650-1900). Ed. Adam Potkay and Dietmar Till. Cambridge University Press, forthcoming 2026.
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"Epic." Percy Shelley in Context. Ed. Ross Wilson. Cambridge University Press, 2025.
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“Emma and the ‘Chimera of Relativism.’” Studies in English Literature 1500-1900 60.4 (2020).
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“Poetic Liberties in the 1790s: John Thelwall and Some Contemporaries.” Enlightenment Liberties/Libertés des Lumières. Ed. Raphaël Ehrsam and Yasmin Solomonescu. Intro. Guillaume Ansart and Catriona Seth. Éditions Honoré Champion, 2018.
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“Mary Shelley’s Fascinations: The Last Man.” Modern Philology 114.3 (2017).
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“Four Letters by Annabella and Lucy Byron.” Keats-Shelley Journal 65 (2016).
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“Percy Shelley’s Revolutionary Periods.” English Literary History 83.4 (2016).
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“‘A Plausible Tale’: William Godwin’s Things As They Are.” European Romantic Review 25.5 (2014).
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“Mute Records and Blank Legends: John Thelwall’s ‘Paternal Tears.’” Romanticism 16.2 (2010).
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“Articulations of Community in The Peripatetic.” John Thelwall: Radical Romantic and Acquitted Felon. Ed. Steve Poole. Pickering and Chatto, 2009

TEACHING
My undergraduate courses at Notre Dame include "Romantic Revolutions, 1790-1830"; "British Fiction, 1790-1830"; "Mad, Bad, and Dangerous: Lord Byron and Percy Shelley"; "No Frills Jane Austen"; "Literature, Science, Scientia"; "The Prometheus Myth across Time and Texts"; "Introduction to Literary Studies"; and "Literary Visions and Revisions."
At the graduate level I teach "Romanticism, Literature, and the Question of Belief" and have offered prior seminars on "Returns of the Aesthetic" (with Joseph Rosenberg, Program of Liberal Studies), "Romanticism and Persuasion," and "British Romanticism and the Sciences of Life." I have also led our department's "Introduction to Graduate Studies" practicum as well as its job-market and publishing practicums.
CONTACT
solomonescu dot 1 at nd dot edu